Vanessa Oakes
Vanessa Oakes trained as a theatre designer and worked extensively in scenography, community arts and arts administration before becoming a ‘full-time’ playwright in 2007.
She writes plays and text for a wide variety of people and spaces. Her words have been performed in theatres, art galleries and museums, community spaces, coal vaults, beneath a ring road, in an award-winning bungalow and at Latitude.
Vanessa is a Theatre Absolute Associate.
Her recent plays include: All Is Well (the estate), A New Way of Living (andsome), Runaway Boy (Teatro Youth Theatre), Do What You Do (Nuneaton Museum & Art Gallery Centenary community tour), The Oracle of the Taprooms (George Eliot Writer in Residence), The Game Anew (Pentabus), The Watched Sea (CAPITAL), The Permitted Number (Paines Plough), I Am Active (Red Teapot), The Kindness of Strangers (Warwick Words), Lost in Paradise CV6 (Belgrade Theatre), A Body Moving Through (the estate), Live Like Us (Belgrade Theatre). Earlier plays include; 77 Sunset Strip (STORM & The Commoners), Agamemnon: The Curse of Thyestes (Coventry University Performing Arts), The Chimney Sweep’s Apprentice (STORM), Anaglypta Daydreaming(STORM), Dog in a Suitcase (STORM).
For BOLDtext : Offences Against the Person (THE SENTENCE), Twitty for BEHIND BARS Ghosts of the Lock-Up @ Steelhouse Lane Lock-Up. Open Door @ Birmingham Repertory Theatre: Taking Care of Business (A Mouthful of Rhinestones), The Invariant Right (INSATIABLE), Mademoiselle F (DISORDER), Glastonbury (EUROTRASHED), All Is Well (Doubled Up), The Arnolfini Portrait (LEAP), I’m Staying (Sunstroke), an act of determining the total number of something (The Russell Brand Effect), The Other Me (Selfies), A Diary Without Dates (Rep Night One).
Find out more on Vanessa’s website
