Tim and Corinne meet Sunny and Shay!

Tim and Corinne

We were delighted to be invited to appear on the Sunny and Shay show on BBC Radio WM to talk about our show Behind Bars: Ghosts of the Lock-Up. BOLDtext member and director Tim Stimpson joined Corinne Brazier from the West Midlands Police Museum to chat about how the production came about, some of the characters and stories involved, and the exciting plans for the Lock-Up’s future. You can listen by the clicking on the links below.

TIM’S INTERVIEW

CORINNE’S INTERVIEW

If you’re reading this before the production closes there are still a few tickets left for 11am, 2pm and 5pm on Sunday 21st July 2019. Grab them while you have the chance!

www.lockupbehindbars.eventbrite.co.uk

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Banged Up by Stephen Jackson

I’ve been banged up, locked up… I’m spending the week in prison. Some might say it was only a matter of time and no more than I deserve. Just throw away the key and leave me to rot. But I haven’t been convicted of any crime. I’m here in Birmingham Central Lock Up working on our theatrical show Behind Bars:  Ghosts of the Lock Up – which is back by popular demand.

My fellow inmates are four wonderful actors plus our director Tim Stimpson. I’ve volunteered to be stage manager. We are once more bringing to life some of the thieves, murderers and police officers who haunt this place.  They are a colourful crew – but maybe the real star is the building itself.

Built-in the nineteenth century, this prison is a scary, scary place – three floors of clanging cell doors and echoing walkways. It’s worth the ticket price on its own. Astonishingly it was still in use until three years ago.

A number of my friends have told me they’ve spent a night in here (remind me to mix with a better class of people) although not all of them were stranglers or burglars. One of my respectable friends fell into a diabetic coma on a bus. The police thought she was drunk and locked her up!

Drunks have been regular visitors to these cells. My contribution to Behind Bars is a piece about Tommy Tank, possibly Birmingham’s most notorious drunkard. At one time he was banned from every pub in the city. But come along and he’ll tell you his version of the story – alongside a few other Ghosts of the Lock Up.

Hope you can make it.

BOOK YOUR TICKETS HERE

 

Eight Become One

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Checking out mugshots of some real Peaky Blinders

It started with a place. The Birmingham Lock-Up on Steelhouse Lane. It started with the Birmingham Police Records and the plans of Boldtext Playwrights and of Corinne Brazier and Steve Rice from the police museum to create a new piece of theatre to reflect some of the history of the Birmingham Lock-Up.

As the 8 members of Boldtext entered the lock-up for the first time, we were stunned by the space.  We were amazed by the atmospheric, Victorian building which has actually been in use right up until 2016. It is a hidden place which few people have seen, besides the police officers and the people arrested or charged with crimes. As you wander through the stairways, cells, kitchen, charge desk and the underground tunnel leading to the Magistrates Court, you cannot help but wonder about the people who worked there or were held there in the last 100 years.

But wonder no more, as the police records provide details of those men and women. We discussed with Corinne the history of the building and people in order to work out the best story to be told. We decided on the time period when Police Chief Constable Charles Rafter was in charge of Birmingham from 1899 to 1935. It was the time of the 1st World War, the police strike, political upheavals, the Peaky Blinders and the first women police officers. At first we were centering our play on the Chief Constable but then we came across a character who spent a lot of time in the lock-up – the notorious drunk, Tommy Tank. He was the person to lead us through the building and introduce us to the ghosts from the past, both the criminals and the police men and women who worked there.

So we went away and each of us took the information on a real person to weave into a short play.  We wrote, we met, we discussed the links and the differences. We wandered around the lock-up listening to echoes, banging on metal doors, calling from top to bottom of the building. And finally it all came together with 8 writers with 8 real characters emerging into a cohesive play about the lock-up. 8 stories became one play. And the audiences flocked in and left having received a unique experience. And now it’s back. Don’t miss it this time around.

BOOK YOUR TICKETS NOW!

Julia Wright

Your Ugly Mug

Your Ugly Mug

Before cameras came along, police had to rely on an artist’s impression or their own memory to identify a suspected offender.  ‘Sitting for a portrait’ involved the entire police watch crowding round the suspect, staring into his/her face to memorise distinctive features for future reference.  That alone would have put many off a life of crime!

But by the late 1840-50s, commercial photographers had been brought in to provide a rather more reliable service in the form of ‘mugshots’.   In those early days, studio photographer William Eagle was used by Birmingham police, and you can admire his craft from the many collodium plates at the proposed West Midlands Police Museum on Steelhouse Lane, Birmingham’s notorious former Lock Up.  They have a genuine rogues gallery of mugshots on display.

Murderers and thieves were accorded the same careful attention from Mr Eagle, as would a visiting dignitary:  he would pose his ‘clients’, providing a screen behind them and one can imagine him positioning their elbow on a dainty table, next to the elegant pot plant used for his paying customers.  His mugshots even included a gilt frame!

By the time CID officer Charles Muscroft became police photographer at Birmingham Lock Up in the 1930s, things had changed quite a lot.  Yorkshire-born Muscroft relished his new role, delivering regular lectures to local photographic societies and happily offering his portrait services in a private capacity.  So when he was accepted as an Associate of the Royal Photographic Society, you can imagine his pure delight.  He knew the intricate skill – talent, indeed – that was essential to capture scenes of crime accurately and comprehensively, and to produce reliable mugshots for use by police and the courts.  He felt his photography was capturing the truth.

Sergeant Charles Muscroft features in Behind Bars – Ghosts of the Lock Up – which is being performed on site at the Lock Up this July 12/13th and 20th/21st.  Last autumn, the first run quickly sold out and many eager visitors missed out.  So now the museum has recommissioned the event, also inviting attendees to look round the Lock Up after the show.

Other ‘ghosts’ you’ll meet include notorious Brummie drunkard Tommy Tank, pioneering policewoman Evelyn Miles, and world-famous Sarah Bernhardt, the French singer and actress who had to sign the ‘alien register’ at the Lock Up during her UK tour in 1916.

The show is at various times on Friday July 12th & Saturday 13th, and again Saturday 20th & Sunday 21st.   Book your tickets HERE.

References & more information

The Burden of Representation, J. Tagg.  University of Minnesota Press, 1988.

Under Arrest  (A History of Twentieth Century in Mugshots), G. Papi.  Granta Books, 2006.

‘Photography as I see it’, Midland Counties Photographic Federation Lecture given by C. Muscroft ARPS, 1939-40.

‘In the Frame: Early Police Photography in Birmingham’, lecture notes from P. James for Birmingham Central Lock Up/Ikon Gallery event March 2018.

Back Behind Bars

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Graeme Rose as Tommy Tank

Following an acclaimed sell-out run last year, I’m delighted to announce that Behind Bars: Ghosts of the Lock-Up is returning to the infamous Birmingham jail this July. Not only that, but our very own Tim Stimpson will be taking over directing duties from the wonderful Jo Gleave.

It’s the first time all eight Bold Text playwrights have collaborated on a single show. We’ve each taken a character from the building’s past, including Tommy Tank (a notorious and hilarious drunk), Evelyn Miles (one of the UK’s first female police officers) and even Sarah Bernhardt (the world-famous French actress). You can read more below, but if that’s already whetted your appetite you can BOOK YOUR PLACE IN THE CLINK HERE!

Since 1891, tens of thousands of people have passed through Birmingham’s Central Lock-Up on their way to court, prison or even the noose. What brought them to this desperate point in their lives? And what memories have they left behind?

Eight of the region’s leading writers will resurrect the ghosts of The Lock-Up’s past, summoning them back to the cells, stairways and corridors where they once walked. As you move around the building you’ll meet robbers and drunkards, prostitutes and murderers, as well as the policemen and pioneering policewomen who held the keys.

Beware! The past still has lessons to teach us. Those who dare to enter The Lock-Up get taught those lessons well. Feedback from the original shows in 2018 include:

“Fabulous show! Informative and emotional, thought provoking, amazing acting and writing” Audience member

“Sent shivers down my spine several times. Loved it!” Audience member

Duration approximately 1 hour with a chance to look round and visit the shop after. Not suitable for children under the age of 12.

Please be advised the Lock-Up is an old building and is not suitable for visitors with mobility issues. Flat shoes are advised and no short skirts . Pictures may be taken during the shows for publicity purposes. There will be some chairs in each area but the show mainly consists of standing for short performances and moving around the building.

Sentence complete

Sentence complete

BOLDtext’s first all-female Open Door – three writers, two actors and a director – arrived at The REP stage door on a frosty January morning, tasked with producing an evening of thoughtful and engaging theatre in a single day.  We knew from previous shows that we had an intense and demanding ten hours ahead of us.

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Sentencing for the Future

Sentencing for the Future

BOLDtext Playwrights are delighted to announce the panel for their audience discussion, ‘Sentencing for the Future’, which follows their latest show, The Sentence, three brand new short plays at Birmingham REP on Monday 28 January 8pm.

Paying the Price by Liz John
A disgraced surgeon awaits sentencing, when a young solicitor arrives with unexpected news.

Offences Against the Person by Vanessa Oakes
Why do sentences sometime bemuse and enrage the public?

Working Mother by Julia Wright
Karen will soon be leaving prison. Has she learned her lesson? Sophie tries to help her but is it working?

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